A Guide To Jaco Van Dormael's Mr. Nobody

Jaco Van Dormael's Mr. Nobody is like a piece of great literature and needs to be "read" like one. This means that the viewer needs to have an ability to make connections with other literature and with their heart. If the reader is able only to make superficial connections they will come away with the impression that there is no ultimate meaning to life at the end of the movie.

Back in my university days it was very common for the students to forget that "Every great writer is a great deceiver" as well as a "storyteller, teacher, enchanter--but [that] it is the enchanter in him that predominates and makes him a major writer" (Vladimir Nabokov "How to be a Good Reader or Kindness to Authors").

And thus, I had to sit through many a class while my fellow students destroyed literature with their ignorance and cruelty. The youngest and most beautiful girls would swoon at Nabokov and Wallace Stevens and say it was so beautiful and wonderful, drooling sick and sugary syrup from their mouths, but never understanding exactly why the literature was beautiful. I once, heard a beautiful girl, accustomed to being thought intelligent in high school, tell the professor that she loved T.S. Eliot's The Wasteland because it was dreamy and had mermaids.

And then, there is the intellectual student. These are the ones with dour faces and black-rimmed glasses and mouths that know big words. These never understand anything and all great literature is nihilistic and nothing to them. They drone on, explaining why the literature was great -- because it means nothing and has no meaning (actually, they're too blind to know meaning when they run into it). These go on to power positions in politics or universities where they attempt steal the joy and meaning of learning and living from the rest of us.

These two types of "readers," the sugary girls and the educated idiots are bad readers and will not understand Mr. Nobody, but will shape nearly all opinion about it.

"the good reader is one who has imagination, memory, a dictionary, and some artistic sense"(Vladimir Nabokov "Kindness to Authors").

Here are a few connections I've noticed upon completing a first viewing. There must be much more:

Literature:
Anna Karenina by Leo Tolstoy
"Annabelle Lee" by Edgar Allen Poe
Lolita by Vladimir Nobokov
The Odyssey by Homer
Bible

Movies:
Groundhog Day with Bill Murry
It's a Wonderful Life with Jimmy Stewart
The Matrix with Keanu Reeves
Dead Man with Johnny Depp
The Wizard of Oz with Judy Garland

Symbolism:
Water
Muses
Trains
Tunnels
Colors

And ultimately, these connections to the wider universe are only road markers, pointing us to the meaning of Jaco Van Dormael's Mr. Nobody, which is about the most important connection of all.